Last summer, while visiting a friend near Hollywood, I discovered that one of my favorite guilty pleasures had been serialized in paperback. This was pulp fiction at its simplest - a plot formula based on a television show. What I enjoyed about these books, besides the fact that they were perfect for the beach, or a few quiet moments - as they appeared to be written so as to be read in exactly one hour, was that there was absolutely no pretense with them. They were just trashy pulp designed to foster a brand. Reading one was the equivalent of watching a rerun of the show.So when I heard that the major character on the series was going to jail for what amounted to a doubling of the series in more ways than one, 48 days (the series is 24 hours) I thought it was a chance to have fun with a number of different things while still allowing the pricipal character to struggle some with what sent him to jail in the first place.
Television, before which I've sat prostrate for more hours than I care to admit (and I actually moderate my intake to the best of my ability; not having a working television really helps) was on strike. How difficult can it be to crank out a television script? Show some empathy for the WGA. And do it just like they do on 24. Week-to-week. No pre-ordained story line, just write and see where the action takes you. It's not easy. Things that seem simple rarely are. It would take many more rewrites to get my scripts in working order and remove all the confused plots lines but it wouldn't be true to the original if it made complete sense. It's really a dopy show, but it's fun to watch.
For 48 days, the end-of-the-world action were the presidential primaries and caucuses leading up to Super Tuesday. I gave myself one week to crank out each episode and if interesting things in the campaign surfaced, I tried to obliquely work them into the story line. In politics, just like in 24, there's always some wacky shit happening.
We forced ourselves to keep the central 24 character, Jack Bauer, in each episode, but felt it important that he remain incarcerated and superficial to the events. He really has only a small amount of control and for Bauer this is not his normal way of working. But this is Jack Bauer we're talking about, if it can be done, he'll find a way. Or he won't. In addition to saving the world, he's also trying to save himself, and in many ways Bauer is a proxy for the voter, but being locked behind bars, he just isn't in position to actually cast a vote.
Because we're spoofing 24 and because our government has decided to partake in these actions, torture had to be a part of some of the plot lines. It never works, but it doesn't stop folks from using it.
I used campaign staff rather than the candidates because there was so much being written about the candidates what could possibly have been added? Besides, I could have more freedom with these characters and let them roam around a bit. The Obama campaign manager and speechwriter just surfaced as the primaries began to unfold and we worked through each episode.
Any semblance of real characters are only a figment of your imagination. If you haven't yet discovered that satire underlies m.o.i. then please, by all means, the next time you have a personal problem, call Jack Bauer. NOW!